qoojuice

Category: year 1

  • CSP week6

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    Haobin Liang
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    After polishing and editing the final version of the script, we decided to finish the audio recording with all the team members. It is more difficult and challenging than I expected because we lack the coordination and cooperation and nobody lead the team at first. And this made me know we need to let someone…

  • CSP week4 working process

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    Haobin Liang
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    In this assignment, our team is planning to make a retro radio crime and suspense drama. And I am in charge of the script and voice editing. The reason we chose suspense drama is that it could be more dramatic and expressive other than other genre. In the first attempt, I wanted to write a…

  • CSP foley practice

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    Haobin Liang
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    This is my first time to do foley recording. In the class we are asked to scream and use some materials to make the voice of fire. This is quite special in radio art because it used something totally different and irrelevant to vibrate to make some voice. The audience behind the radio or screen…

  • CSP week3

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    Haobin Liang
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    I caught a flu this week, and I thought there’s something that sickness and body will vibrate to make some sound to warn yourself about what’s going on with your organs, body and even carcass. It occurred to me that the sound from human body is just as the distortions from radios when my body…

  • CSP week2

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    Haobin Liang
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    I have never associated radio with gender and class before. But after the class, I reckon that there are indeed many connections among them. From my experience, the first impression of the radio can be date back to my childhood. It was the car broadcast that played music constantly. It was more like an entertainment…

  • CSP week1

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    Haobin Liang
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    What do Radio Art mean to me? First of all, radio art is a way of liberating and setting people free from having access to information. As a media using radio, it broke the limits and restrictions of geographic distance, this allows democratic practices to happen. Marginal people have got a chance to speak up…

  • week 10

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    Haobin Liang
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    Radio Aporee: I chose the place called Schießhaushölzchen forest – Weimar – Germany I heard a very slow and comforting background white noise with birds chirping, and I think it was the wind’s noise and people’s voices stepping. The beep of the amplitude sounds like dots hitting my ears softly like an unarranged drum. I…

  • ITSA week8

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    Haobin Liang
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    I research Halim El-Dabh’s work “Wire Recorder Piece.” It is a work that is mainly about trying different stuff in electronic experiments with cassettes. I think this is a minimalist piece of sonic work because it only works with experimenting with the cassettes to make a very ambient and electroacoustic piece of work. What’s more…

  • Week7

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    Haobin Liang
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    week 7  content: I have trouble canceling the background noise of the recording device and have trouble recording the physical piano. I intended to finish the intro of the final composition and make a draft of it.I feel obstacles in making a drum beat as it isn’t my strength. activities and documentation I listened to…

  • SDT+Week 6

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    Haobin Liang
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    There are some general defects among the seven recordings. First, they aren’t very good-quality recordings because of the background noise and electric wave noise. Second, I am not very familiar with using the H5 recorder, especially with the contact mic. At last, I didn’t record the voice with a certain purpose. Instead, I used the…