Category: Sound Studies and Aural Cultures
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Sonic and aural studies reflection
Advantages: First, I believe my written content is well-crafted, and the overall development follows a rational and logical progression rather than being overly fragmented. My work this time resembles more of an educational blog post or an article with instructive qualities. Secondly, I think the final product turned out quite well. from recording to editing,…
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Sonic and Arual Studies narration recording
Initially, I started by writing a complete draft. However, as I progressed, I realized that a more fragmented approach would actually be more helpful for the recording process. By fragmented, I do not mean working in broken-up time segments, but rather completing one section of content before moving on to conceptualize the next. I am…
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Sonic and Aural week7
In Anna Friz’s work How to Pack a Whale, I experienced a sense of spatial and temporal transformation. The artist’s use of various environmental and electrical sounds left me deeply impressed. Initially, I held the assumption that radio art should be aesthetically pleasing, yet Anna deliberately subverted this expectation. She focused instead on crafting atmosphere…
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Sound and Aural week6 reflection
After sharing the ideas in the class, I came up with several questions that I want to think about. How does sound become the primary carrier of information? Moreover, how do we distinguish between what is real and what is false within sound or language? To give a very common example—lies and imagination.Could the acoustic…
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Sound Studies and Aural Cultures week6
My initial plan and theme for the audio paper is how we recognize sound as a message and our listening modes and habits. First of all, I need to know how sound is created and how our brain recognizes the vibration or the amplitude as a carrier of messages. So, for the beginning of everything,…
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Sound Studies and Aural Cultures week5
In this week’s study, I mainly gained three aspects of inspiration. The first one is related to Foley and the sound that we are hearing. In terms of the Foley making process, we will always use distinctly different objects and props to create and reflect certain scenes. But how does this happen? Why will our…