Before starting Foley recording, I added a timecode to the video to ensure better organization of the recording start and end times.
This is the process of recording footsteps. Footsteps make up the largest portion of my Foley recording work. I experimented with walking on different types of flooring surfaces, and it was crucial to match each step precisely to the visual reference rather than moving arbitrarily. This procedure highlights an essential principle in Foley art: the need to react accurately according to the time code of the footage. Initially, I couldn’t synchronize quickly enough, but after a few attempts, I got the hang of it.
These are the recorded audio clips. I think the overall effect is quite good, but some editing and EQ adjustments are needed to fine-tune the frequencies. The volume also needs to be adjusted. The cloth Foley sounds are actually very subtle and not easily noticeable, but when combined with the footsteps, they add more texture and enhance the sense of realism.
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